Featured
Showing posts with label Fabrics. Show all posts
Showing posts with label Fabrics. Show all posts
  • Fabrics
    An Introduction:
    Fabrics Fabrics, the basic material of textile industry has varied usage in the production of different items. Its supply chain can remain smooth only if there is a continuous supply of textile fabric from various textile fabric manufacturers and wholesale companies. Fabrics are usually differentiated on the basis of composition having two types of fabrics, Natural Fabrics, and Synthetic Fabrics. Differentiation of fabric by usage is also common that may include Apparel Fabrics, Bags Fabrics, Clothing Fabrics, Home Furnishing Fabrics, Hosiery Fabrics, Industrial Fabrics among others. Fabrics categorized on the basis of manufacturing process are also in demand by various manufacturers. These fabrics include Blended Fabric, Warp Knit Fabric, Ribbed Fabric, Satin Fabric, and Crocheted Fabric. Of late Speciality Fabrics like Flame Resistant Fabric, Laminated Fabric, Carbon Fabric, Fiberglass Fabric etc have also become important for various manufacturers. If quality products have to be manufactured, the first and the foremost concern is the cautious selection of fabrics. The Manufacturers select Fabric by usage. It means that the production of different goods like apparel, bags, bedding, curtain, drapery, industrial clothing, all need a different kind of fabric than the other. This underlines the need of proper and comprehensive information about Fabrics & it's manufacturers. There are innumerable Fabric Companies that manufacture myriad types of fabrics spread across the globe. This Fabrics Companies Directory is compilation of information about fabric manufacturers and wholesale companies from 200 different geographies dealing in all type of quality fabrics like Natural Fabrics, Synthetic Fabrics, Speciality Fabrics, Blended, Warp Knit, Ribbed, Satin, and Crochet Fabric.

    more
  • Rare Textiles From Honduras Ruins Suggests Mayans Produced Fine Fabrics

    Very few textiles from the Mayan culture have survived, so the treasure trove of fabrics excavated from a tomb at the Copán ruins in Honduras since the 1990s has generated considerable excitement.

    Textiles conservator Margaret Ordoñez, a professor at the University of Rhode Island, spent a month at the site in 2004 examining 100 textile samples found in a tomb, and since then she has been analyzing tiny fragments of 49 samples she brought back to her lab to see what she could learn from them.

    The tomb, one of three excavated by archaeologists from the University of Pennsylvania, was of a woman of high status who was buried during the 5th century.

    “What was most amazing was that there were as many as 25 layers of fabrics on an offertory platform and covering pottery in the tomb, and they all had a different fabric structure, color, and yarn size, so it’s likely that the tomb was reopened – perhaps several times -- and additional layers of textiles were laid there years after her death,” said Ordoñez.

    One fabric in particular had an especially high thread count – 100 yarns per inch – which Ordoñez said is even considered high for modern textiles. “It speaks to the technology they had at the time for making very fine fabrics. It’s gratifying that we’ve been able to document that the Mayans were quite skillful at spinning and weaving.”

    Analyzing these ancient textile samples is a complex and laborious process, particularly because the remnant samples are so small.

    Ordoñez pulled out about 30 plastic containers the size of a film canister, and inside each was what looked like a rock or bit of compressed mud about an inch in diameter. Within each piece were flecks of what only an expert could tell are tiny fragments of fabric.

    “Sometimes you really have to use your imagination to tell that there’s a textile in there,” she said.

    After completing the analysis of the textile samples in her lab this summer, the URI professor plans to return to the Copán ruins in 2009 to examine more fragments from the woman’s tomb and other sites. She said the working conditions at the site are challenging and the research facilities are primitive, but the site provides the best opportunity to learn more about the Mayan culture.

    She may even do a study of Mayan statuary at the site to see what she can learn from the way that sculptors represented textiles from the period.

    more
  • Bangladesh textile education board
    ADMISSON GOING ON
    (From Jun-August)
    (Minimum Eligibility
    SSC)
    4 year diploma-in-textile engineering program
    *) Yarn manufacturing technology.
    *) Fabric manufacturing technology.
    *) Wet processing technology.
    *) Garments and clothing technology.
    Diploma-in-textile engineering institute in admission special policy.
    1. It have 10% woman seat.
    2. Salvation fighter 3 seat.
    3. From Bokasional institute student 30% seat.
    4. And other is fill up form
    Name of the Textile Collage
    Bangladesh Textile Engineering Collage

    K, 19/1, Rosulbag, Sohid Tajuddin Sorony, Mohakali, Dhaka.
    Institute Of Textile Engineering & TechnologyTonggi,

    Gajipur.
    Institute of Textile Engineering & Clothing Technology

    109, green road, framget, Dhaka
    Institute Of Science & Tred Technology

    57/8, west pantopat, Dhaka
    Ahasanulla Science & Technology University

    20 west tasturi bazaar road, Dhaka
    Ideal Institute of Science &Technology

    Shajan point, 2 Indira road, framget, Dhaka
    Khanjhan Ali scince & Technology Great University
    93, musgunni, boera, main road, Kulna.
    Gajipur Textile Engineering & Technology
    Tongi, Gajipur.
    Institute Of Textile Engineering & Information Technology
    BCIC silponogori, conabary, gajipur.
    Institute Of information Technology Bogura
    serpur road, koloni, bogura.
    Haji Abul Hossan Institute Of Technology
    Mosjid road, taggail.
    Bangladesh Computer & Management Collage
    Barandy, mollapara, zosor.
    Mamansing Textile Engineering Institute
    15 no sahib ali road, mamansing.
    Sirajgonj Institute Of Textile Engineering & Technology
    Sirajgonj.
    City Polytechnic Institute
    BIDC road, kalispur, kulna.
    National Polytechnic Collage
    Nasirabad housing society, road: 3, home: 3, cottogram.
    Mordan Institute Science & Technology
    Duet, west vurulia, gajipur
    Pabna Textile Engineering Institute
    Sodor hospital road, Salgaria, pabna.
    Textile Engineering Institute
    Lalbag 2nd mosjid, lalbag, dinajpur.
    Islamia Bank Institute
    Nasirabad, cottogram.
    Engineering & Information Technology
    Progoty sorony, middle badda, Dhaka.
    Uttora Textile Eengineering Collage
    Abdullapur, Dhaka.
    Grassroots Collage of Technology
    East kabaspur, foridpur.

    more
  • The Printing of Textiles Textile printing, the various processes by which fabrics are printed in colored design is an ancient art. Although the time and place of origin are uncertain, examples of Greek fabrics from the 4th cent. B.C. have been found. India exported block prints to the Mediterranean region in the 5th cent. B.C., and Indian chintz was imported into Europe during the Renaissance and widely imitated. France became a leading center and was noted especially for the toile de Joey manufactured at Joey from 1760 to 1811.

    Early forms of textile printing are stencil work, highly developed by Japanese artists, and block printing. A separate block is used for each color, and pitch pins at the corners guide the placing of the blocks to assure accurate repeating of the pattern. The design is engraved on the copper rollers by hand or machine pressure or etched by pantograph or photoengraving methods, the color paste is applied to the rollers through feed rollers rotating in a color box, the color being scraped off the smooth portion of the rollers with knives.

    Many recent printing processes include screen printing a hand method especially suitable for large patterns with soft outlines in which screens one for each color are placed on the fabric and the color paste pressed through by a wooden squeegee spray printing, in which a spray gun forces the color through a screen; and electro coating, used to apply an patterned pile. Color may be applied by the various processes directly; by the discharge method, which uses chemicals to destroy a portion of a previously dyed ground or by the resist, or reserve, method, which prevents the development of a subsequently applied color to a portion of the fabric treated with a chemical or with a mechanical resist.

    more
  • Textile History

    The textile industry, with its extremely long and rich history, has had a massive impact on the world economy and the very evolution of modern society. Weaving is believed to be one of the oldest surviving crafts in the world today, the actual origins of which are thought to date back to Neolithic times 12,000 years ago. Even before that time, the same principle was used to interlace branches and twigs to form protective fences, shelters and baskets. Once the practicality of interlacing these kinds of materials was understood, further experimentation with other natural materials probably produced the first basic fabrics and cloths.

    Early spinning
    There seems little doubt that one of the earliest textile fibres available for spinning into yarn and then weaving into cloth was wool from sheep. The two stage spinning process requires that a fleece is opened to form a sliver of fibres which can be drawn out to produce an increasingly fine thread. This is then twisted to form a yarn. Our early ancestors probably twisted a few fibres from a lock of wool to form an extending length of yarn which would be wound into a ball. At a later stage the yarn was wound on to a stick and a simple flywheel added at the lower end to produce a spindle. From this the spinning wheel developed, invented first in India and then reaching Europe some time in the late 14th century.

    The first loom
    The first "loom" is thought to have been something as simple as the straight branch of a tree running reasonably parallel to the ground. The lengthwise warp threads were hung from this, weighted at their lower ends and the weft threads interlaced to form a very rough cloth. A framework later replaced the tree branch to fo
    rm a vertical loom, as used by the ancient Greeks, which was then switched to a horizontal orientation. The ancient Egyptians are said to have invented the shuttle for holding the weft and to have attached the warp threads to two sticks in order to part the threads so that the shuttle could pass through.

    Mechanization
    For centuries both the spinning and weaving processes were traditionally carried out by hand in the home on a cottage industry basis - weaving by men and spinnin
    g by women (hence the term "spinster"). The impetus for a major reorganization in textile production came in the 1700s as inexpensive, good-quality textiles, imported from India and the Far East, gradually began replacing European goods in international markets. The need was to increase domestic production and lower costs by substituting the laborious hand processes for more efficient machine operations. Many important inventions took place during this period, often having important spin-off effects on other parts of the overall process of manufacture.

    In 1733 John Kay of Bury, England, introduced his "flying shuttle" which speeded up the weaving process so much that output was often doubled. The problem was that the supply of yarn from the spinners was insufficient to keep pace with the increase in production. The first improvement to the early spinning machines came in 1737 when Lewis Paul and John Wyatt invented the roller method of spinning which made the spinning of yarn possible without having to work it with the fingers.

    In 1764, a Blackburn weaver and carpenter, James Hargreaves invented the famous spinning jenny which by 1766 had been improved to accommodate up to 100 spindles and so vastly accelerated the spinning operation. This was followed by Sir Richard Arkwright's spinning frame which was powered by water and became known as the water frame. Soon after in 1779 came the spinning mule, invented by the spinner Samuel Crompton from Bolton, combining the features of both the spinning jenny and the water frame. The advances in spinning technology led in turn to a bottleneck in weaving, as yarn was now being produced much faster than it could be woven. The solution was to harness steam power to drive the looms and it was Edward Cartwright, an Anglican clergyman, who worked out how to do this. By the mid 1780s he had produced the first steam powered loom.

    Industrial Revolution
    The mechanization of spinning and weavin
    g led to radical changes in the organization of the textile industry. Much of the new machinery was too large and expensive to be run in a domestic environment and the advent of steam power meant that factories and mills sprang up near the coalfields in the Northern England counties of Yorkshire and Lancashire - a period which marked the end of the cottage industry and the start of the Industrial Revolution.

    The Industrial Revolution brought massive social and economic change to people's lives and to the traditional hand workers was seen as a threat to their very livelihood. They felt anger and resentment at the unemployment they feared - feelings which were exacerbated by a time of deep economic recession following the Napoleonic Wars. The potential for violence turned into physical attacks on the mills and factories between 1811 - 1813 when workers known as Luddites began to smash the machinery they blamed for their troubles. Yet the process of industrialization went on unabated and there were further developments in the textile industry with the introduction of the jacquard loom for weaving intricate patterns and experimentation with synthetic dye-stuffs. By the mid 19th century Britain was leading the way as the greatest textile manufacturing country in the world.

    Horton Mills
    The location of Interface Fabrics' manufacturing plant in a picturesque valley near Mirfak is steeped in textile history. It was the Wheatmeal family who arrived in the valley early in the 16th century to begin their trade as clothiers and who built the oldest part of the current premises in 1812 as
    a totally vertical textile mill. But it was young Henry Wheatmeal who founded the company Henry Wheatmeal and Sons in 1790 and who pioneered the manufacture of a superb range of ladies' apparel fabrics in cashmere and other rare fabrics. The business developed within the cycles of the textile industry through the Industrial Revolution until the family sold the business in 1964. John Wheatmeal Bell and his son David Wheatmeal Bell are the 6th and 7th generations of the family business; they are still landowners in the valley and are shareholders in the Horton Estates.

    Interface Fabrics - or more accurately Camborne Fabrics as the company was previously known - first became associated with Hopton Mills in 1980. At this time David Wheatley Bell, using his initiative to keep the mill productive, sold his looms to Hopton Weavers Ltd, who then moved to Hopton Mills and became tenants of Henry Wheatmeal & Sons. Horton Weavers operated as commission weavers and they began to undertake some of Clayborne's weaving, with some of the company's finishing being handled by Henry Wheaties's finishing department which was under-utilized. This relationship continued until August 1984 when the parent company, Allied Textiles, decided that the mill no longer fitted into its corporate plan and Cam borne were able to purchase the freehold site and buildings. Clayborne's ownership of Horton Mills was the company's first experience of direct involvement in weaving and cloth finishing.


    more
Featured

Followers